Monday, May 30, 2011

THREE ALTERNATIVE APPROACHES TO CURRICULUM PLANNING


THREE ALTERNATIVE APPROACHES TO CURRICULUM PLANNING


Darvesh Karim
Assistant Instructor
Professional Development Center, North
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Eisner’s Artistic Approach

Introduction:
  • Eisner is a respected scholar
  • Published widely since 1960
  • Special interest are art education and curriculum
  • Over emphasized
  • He argued against over emphasized on behavioral objectives and traditional academic subjects in school curriculum
  • He contributed in need to develop qualitative mood of research
  • He portrays social reality as negotiated, subjective constructed and multiple
  • Study of education and decisions about curriculum are artistic in nature.

Ø       Goals and their priorities:
o   Typical distinction between aims, goals and objectives
o   Aims: general direction of education and values
o   Goals: to be more specific statements of intention
o   Objectives: Most specific statements of all but it is not possible always nor desirable to have highly specific objectives
o   Some activities cannot have pre-determined objectives therefore can be expressed in general terms and after teaching has taken place.
o   The skills and talents of artistry are particular needed for curriculum developers to cope with competing goals and objectives put forward by different interest groups
o   He maintains that the artful process of arriving at consensus about curricular priorities has to involve participants in considerable deliberation

Ø  Content of curriculum:
o   Three basis sources for content
o   Individual, society and subject matter
o   Other sources such as students’ interest, community needs to be considered besides academic disciplines / traditions
o   Traditions create expectations, predictability and sustain stability
o   Null curriculum: what is not taught for example, images of popular culture conveyed by mass media and content from subjects such as law, anthropology and art.

Ø       Types of learning opportunities:
o   Provide wide variety of learning opportunities to students
o   Educational imagination and creativity are required to transform goals and content of curriculum into events, opportunities and practices
o   Makes a distinction between planned curriculum and taught curriculum and experienced curriculum
o   Academic specialists know the subject well but curriculum planner and teachers transform content to forms that are appropriate for students
o   Therefore teachers are the artists who create varied, meaningful and satisfying learning opportunities

Ø  Organization of learning opportunities:
o   Give materials and activities to encourage diverse outcomes and experiences to learners
o   Engagement of students rather than control
o   Goal oriented
o   Teacher as facilitator to develop engagement
o   Non-linear approach to tasks

Ø  Organization of content area:
o   Integrated and variety in content
o   Not traditional – inspite of social, political and intellectual constraints engage in exploring new forms of organization.
o   Using materials that leads to wholestic development of child

Ø       Mode of presentation and mode of response:
o   An artistic approach to curriculum planning called as modes of presenting and responding to curriculum
o   Criticize the educators who believe that the written words are the only means to demonstrate ones knowledge
o   Metaphors are a powerful mode for communicating compared to ordinary language
o   Teachers should use and allow students diverse modes of communication and response
o   Curriculum should permit the visual, auditory as well as discursive forms to express oneself

Ø       Types of Evaluation Procedures:
o   Evaluation is not a final step but pervades the entire process
o   It is a natural process in which people constantly engage to make sense of the world around them
o   It involves skillfully and accurately perceiving situations, weighing the reasons for valuations and portraying evaluations – Educational Connoisseurship and Educational criticism
o   Teachers should use their artistic ability to perceive and value judgments formally and informally and need to know the difference between planned, enacted and experienced curriculum






Ø       Conclusion:
o   Curriculum must attain to some similar things
o   Its an open-ended process
o   The steps are valued for their intrinsic qualities He sees curriculum planning as problematic and proceeding through artistic deliberation

Ø       Criticism:
o   Has identified weaknesses in existing approaches but not given any alternatives
o   Over-stated the metaphor of artistry



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